Friday, March 9, 2012

Alexander Younger, Design Lab




About Design Lab
Design Lab describes themselves as being all about " designing power strategies, solutions and technologies that support beautiful work." Design Lab was founded in Toronto in 1992.



Specialization:
-Research
-strategy
- Information architecture
- Identity
- Branding
- Copywriting
- Measurement & Metrics
- Content Management Systems
- Website Development
- Website Design
- Print Design
- Flash Design
- Online and Offline
- Marketing Collateral

Clients
Bata Shoe Museum, Para Paints, SIR Corp, Loblaws, Laura Secord, Ridpath's Fine Furniture, CDA Industries, Canadian Music Centre, Holt Renfrew & Co., Diamond Aircraft, Universal Music, Jack Astors, Chestnut Park Real Estate, CanDeal, Capital Canada ltd., APEX Public Relations

About Alexander Younger
Alexander Young speaks to us as the President and founder of Design Lab.

Lecture Notes


- started DesignLab 20 years ago when there wasn’t really even a web

- in the past few years they have done a lot of mobile work

- also are a very green company and believe in giving back to the environment

- all of the power in their office is generated by the sun, so they can say to all their clients that everything they do is green


The Market Now


- The market is very good

- example graphic: every day in the world is < to how many iphones are sold worldwide every day

- every day 700,000 android phones get activated across the world

- the total #of iOs devices - 562,000 sold every day,compared to 371,000 children born

- Nokia Sold 271,000 Smartphones

- The total # of smartphones: 1.45 million devices activated each year

- So you can say there is a pretty good market


Mobile is a pretty good place to be right now


Best Practices for Mobile Design


- what you have to do is understand the market

- you have to test it against a business model. It does have to generate enough interest, have the potential for profit

- You have to prove to the client that it is going to deliver a sound business model

- know your audience, establish your audience

- how do you monetize your product?

- how do you add merchandizing opportunities

Contact


Phone: 416 955-0880
Email: info@designlab.net









Lorraine M Fleck, Copyright Lawyer



About Lorraine M Fleck
Lorraine is a lawyer and registered trade-mark agent with Hoffer Adler LLP. She works with clients on advertising and marketing, contest, copyright, information technology, packaging and labeling, privacy and trade-mark law issues.

Specialization:
-Advertising, contest and marketing law
- Information technology
- Intellectual property law
- licensing, franchising and distribution
- packaging and labeling
- privacy



Lecture Notes

Canadian Copyright Law: A Primer
Lorraine is going to give us an update on proposed changes in our industry, as well as answer some useful questions pertaining to our field.

What is Copyright?
The exclusive right to reproduce original content and stop others from reproducing that content.
- means that anything created that is original, it is copyrighted
- the laws in Canada and the US can differ dramatically

What does Copyright protect?
- literary, dramatic, musical and artistic work
- audible music
-artistic works
- literary works
- dramatic works

How is Copyright Created?
- The original work is created by a Canadian citizen or member of Berne convention country
- the wrk must come into physical existence
- if the work is published

How is Copyright Created?
- No need to register or mark.
- Registration is a rebuttable assumption of copyright that can be used for litigated purposes.
-Best to register early; Canadian courts are skeptical if registrations obtained shortly before or during a lawsuit.

TIP - you should grab a screenshot of your work and email it back to yourself to assist in proving copyright ownership.

How long does Copyright Exist?
most works- the life of the author + rest of the calendar year in which the author died + 50 years
- joint authors = term last to the end of the 50th year after the last author dies
- unknown author - lesser year of the end of the 50th year or 75 years after the work was made
- photographs- to the end of the 50th year from the making of the initial file
-movies- to the end of the 50th year from the first publication
- sound recording - 50 year
- broadcast - 5o year

Who Owns Copyright?
usually the person who creates the copyright work but there are exceptions
Photographs: the first person who owns the negative of the photo (not always the photographer)

Who Can Use Copyright Materials?
- The owner. Ownership can be transferred, but must be in writing. The ownership transfer agreement is usually called and 'assignment'.
- anybody who has permission (license). The terms for the license dictate what the licensee can do under the license. The fee paid under the license to the copyright owner (licensor) is a royalty.

Be careful with "royalty free' content!
-Each site has its own terms governing content use.
- Many sites only allow non-commercial use.
- Commercial licenses are often restricted e.g. number of copies, territory.
- read license terms carefully.

What is Infringement?
- The making of an unauthorized copy
- there must be a substantial portion of the material copied.
- but there is no hard and fast rule.

The two types of Infringement
1) Primary - A copy made without permission
2) Secondary - The sale, rental or distribution, or display or possession of an unauthorized copy.

Exceptions to Copyright Infringement
-Under certain circumstances
Major category is 'fair dealing':
1) research/ private study
2) criticism/review
3) News reporting

While not limited to private or non-commercial contexts, not very useful for advertisers. No advertising specific exception.
- parody is NOT currently an exception in Canada.

Factors to assess fair dealing
1) purpose
2) Character
3) Amount
4) Nature
5) Available alternatives
6) Effect

What are Moral Rights?
The author's right to:
1) retain the integrity of the work;
2) Not have their work distorted
3) have their name associated or not associated with the work
- Activities must be shown to be to the detriment of author's honour/reputation
- Cannot be transferred, but can be waived.

ex of moral rights - Artist michael snow suing Eaton's centre over ribbons being placed on his geese.

Bill c-11 Highlights
- The copyright modernization act is the fourth attempt at reform since 2005

Bill c-11: Mash-ups
- infringement exception for non-commercial user-generated content created using copyright material
- applies to non-commercial use only
- could affect the market for the works used to create the mash-up

Bill c-11 - Statutory Damages
- would cap statutory damages against individuals who infringe copyright for non-commercial purposes to $100 - $5,000 for all works in the lawsuit.
- currently, statutory damages are $200 - $20,000 per copy
- may result in less deterrence for large scale infringers.

Bill c-11 - Highlights: Parody and Satire
- Most relevant for web design and advertising.
- Parody: The original work is ridiculed
- satire: use of the original work to mock someone else
- Parody and satire may still infringe trade-marks, result in defamation
- Use of content must be "fair": do not use too much, and avoid impacting existing communities

Questions
Q: Can you use a copyrighted image if the image is no longer recognizable?
A: Depends. No if the alteration impacts the ability of the copyright owner to exploit the work.

Q: What happens if you are accused of using copyrighted material?
A: Usually the plaintiff's lawyer will send a demand letter. Remedies for infringement include:
1. An injunction
2. Damages and profits
3. Interest, punitive and/or exemplary damages
A copyright dispute can be very expensive money and time wise, with each party's legal fees easily exceeding $100,000 or more, and a lawsuit in Federal Court currently taking two (2) years to reach judgement. Proceedings in Ontario court can take a very long time.

Q: When blogging about others work is it ok to post their work?
A: Ok if doing for criticism/review or news reporting provided you credit the author

Q: How to support your own work if you post it online?
A: - disable right clicks
- copyright notice
- register copyright in commercially important works
"An ounce of prevention is better than a pound of cure".

Q: What are the ownership rules of social media sites?
A:- you own your own content on twitter and wordpress
- facebook has a license to all your content until your account is deleted, unless any content is shared with friends
- Pinterest has a perpetual worldwide license to you content
"copyright 2012 Christina Cowen all rights reserved, do no use without permission."


Contacting Lorraine Fleck

E‐mail: lfleck@hoeradler.com
Website: www.hoeradler.com
Blog: www.ipaddressblog.com
Twitter: @ HoerAdler @lorrainefleck


Friday, February 17, 2012

David Gray, CTV



About CTV:
CTV is Canada's largest private broadcaster. It has the #1 national newscast seen by over 25 million viewers each week. It's also the #1 choice for prime-time viewing.


About David Gray:

David Gray has been a Digital Sales Producer at CTV News & Entertainment since November 2011. A student from Sheridan, he first made his debut as an interactive designer with Publicist.

Notes:

-pitch yourself as much as you can.

Digital sales producer at CTV
-If you get into an agency you will work long and hard. there were some nights i was doing 15 hour days. Some people slept in the office. In this industry you either love it or hate it.

history
-started out as an interactive designer with Publicist. Worked often at banners. He became a sort of a producer, part of his job being to educate the creatives and proof final products. Title: Acting Production manager.

-Some people think banners are a waste of time. Some people think it's a boring job, but I loved it. You got to do a new project sometimes daily and you pushed out a lot of work."

-Flash is dying, there is no doubt about it. a lot of banners are starting to convert over to
HTML5. But right now, banners are mostly flash. Flash will die shortly."

- during the economic decline David was laid off as were many others in related fields.

- After this, David got into freelancing. This is where your contacts come in handy.

- Try to stay on the good side of others because you need good contacts for freelancing.

- While freelancing David got into the media side of things. He became involved with Q Media. At the time he was with Q media there were three people working for the company. 6-8 months - it just wasn't for him, so he went back to freelancing and did it for almost a year.

- if you're good and you don't mind working long hours or weird hours, then the money is great." - David on freelancing.

-landed a position with TBWA. It was a great company. For instance, every wednesday they would have guest speakers.

- budget cut again - moved on from TBWA

-one thing you have to realize, don't take things personally. Business is business. At some point it's just a big chess game.

- Now he is at CTV Bell media, once again, through a contact.

- A lot of jobs are gone before they're even out. A friend's resume gets put right to the top.

- linkedin is a very valuable resource. David found a lot of connections/ opportunities through linkedin.

Working at CTV

- David is happiest at CTV

-Publishing- he has made a 360 in his career and is not sure if he will go back to an agency.

- I'm now a delegator. My job is now to delegate work.

-Producing is a lot like project management. looking after flow of work, deadlines, production. It is project manager plus more.

- learn all you can about mobile. don't let anyone tell you that something is mobile friendly - it's either mobile or not.

-My first year I was pushing 60, 70 hours a week, working 13, 14 hour days. You've got to love it.

Final Advice

Put in the hours. Be prepared for it and push through it. I now prefer being a producer to a designer.

-Young and single is really the life of an agency

- whatever field you get into, know it.

- theFWA.com - go get your daily inspiration.

Contacting David Gray

LinkedIn: davidjjgray
Phone: 647 297 4707
email: davidgraydesign@gmail.com




Friday, February 10, 2012

Michael Gramlow, Lollipop



About Lollipop
Lollipop is an interactive, creative production company.
They provides interactive direction, full-service production management, design, animation, web and app development services to agencies that need to bring their work into the interactive environment.

Client List:
Virgin Mobile, BBDO Toronto, GSD&M, American Heritage Dictionary, Dickies, Sprint Biz360, Jack Daniels, American Express, Kia Optima, Freedom Filter, Zicam, Chevy, Sapporo Beer, Vextini

About Michael Gramlow

Michael Gramlow is the co-founder & creative director a lollipop. He works with agency creatives to translate their idea into the digital world. Michael works to direct content and manage the art direction and design of work.


Michael has also had the role of Creative Director at Organic and Dentsu.

What is lollipop?
- an interactive, creative production company.

What does that mean?
- over the past couple of years, the agency and interact world have evolved (actually completely changed)
- we saw a need for sophisticated interactive models that mirrors the broadcast production model that agencies are familiar with.


our point of view

strategy > big idea > treatment > shoot/design > edit/post > development

the industry

-
this model is more prevalent i the us and europse where budgets are bigger and top-tier interactive production companies have emerged: the barbarian group, big spaceship, firstborn, EVB, north kingdom

- as the industry continues to evolve, i see three areas of opportunity for work - each requires a unique passion and skill set.

1) interactive pure play
-trend toward large scale build

2) integrated ad agency
- work tends to be creative and brand oriented

3) Production company

- works as a partner to agencies to execute work
- well-versed in production techniques
- ability to work on a broad range of clients/projects
-an emerging specialty

How it works

- the rep will give them opportunities and they have to decide if to pitch it, and then how. If they win the contract the rep gets a cut in the contract.
- lollipop has a small core staff. their work is very much project-based and they use a lot of freelance talent to ramp up and down.
-shooting something- all freelance crew.

Advice for the freelance world
- work with a company that places freelancers for exclusive engagements.

"when you finish this program, you have to work so hard to pound the payment to bug people. you've really got to make an effort to get on people's radar, even if you think you're annoying them." - Michael

"sometimes design is not just pixels on a page, it's about the experience, the emotion and the mood that you are trying to evoke." - Michael

"there is a big tendency in this business for something to go directly to the computer. storyboards are critically important, and it's important to take the time to step back and think on paper. Before you sit down and execute, get a piece of paper and get things sketched out." - Michael

Pure Black Sunshine coffee site
Sprint Bz360
-
Business-to business thing
-
shot on a camera call the phantom - 900 fps
- great tools, powerful video, great usability

Dickies
very cool ad - plumbing breaks down and floods site

TJ Max

- using google maps- enter an address using google maps and share a carol.
- carolers singing christmas carols in front of a googlemaps streetview.

Sapporo Beer

- travel through animated scenes composed of a mixture of live action, cgi and matte painting
- users are guided through the site unlocking scrolls to be entered to win a trip to japan

Virgin Mobile
-
wanted to create a user generated site to raise money for homeless youth.
- they've raised $40,000 so far
- consumers come to the site and post a challenge
- html site with javascript, used google check out for the ecommerce dept.

Contact

439 Wellington St. West, Suite 107
Toronto, ON, M5V 1E7
Tel: 416-597-8777
Fax: 416-946-1304




Friday, January 27, 2012

Allison Garnett, Critical Mass



About Critical Mass

Critical Mass is an international Marketing firm that specializes in:

- Insight & planning

- Experience Design

- Experience Distribution

- Social Media

- Technology Services

- Marketing Science

Client List:

Nissan, Adidas, Theodore Alexander, Best Buy, Clorox, Humana, Budweiser, United, Moen, hp, Nasa, at&t, Nestle, Harley Davidson, peanuts, Infiniti

About Allison Garnett

Allison Garnett is a Creative Director with Critical Mass. Before coming to Critical Mass, Allison started her own business (SuperCapacity) and worked at Taxi.

Lecture Notes

"as much as I love what I do, work comes second, and family and personal life comes first."

Creative Director = a jack of all trades

designer/art director/project manager/account manag
er/new business/stylist/
photographer/creative direction...etc

-She started her own business (supercapacity) after she had adopted a child. Moved to Taxi and then after having another child moved to Critical Mass.

-Her first stepping stone were landing the accounts: Molson Canadian, Levi's and Nike.

"When you're looking for that first job, for me it's not about the company, it's trying to get as much experience as you can and getting some work into your book to be able to move onto a better position." - Garnett

Taxi
-She was there for 6 years, and finally left because it was getting too comfortable, and not feeling challenged.

Clients: MINI, Town Shoes, LCBO Microsites, Cadillac Fairview (vertical movement website, the great thing about the building was that it was sustainable), Taxi packaging, Westjet (identity design), Telus (digital, was definitely one of the hardest years of her career)

"sometimes you don't have a large budget to hire all the extra people, so you just have to do it yourself, be innovative." - Garnett

"Internal projects are part of what makes going to work really fun."
"The great thing about being on a digital team of an agency that owns the whole brand, you don't have to rely on the assets they send you, it gives you the opportunity to push your work further."

Moving on to Critical Mass

-She moved because she wanted to focus and become really good at one thing. She wanted to work on a big website, something with an IA, a planner and a tech team.

-At Taxi they could not compete and pitch for interactive work because of their limited development team.

- Her first project: Luxury furniture site by Theodore Alexander. "It was really complicated. I pretended I knew what I was doing, and within a few months I really did know what I was doing." They really treated the furniture almost like a Rolex watch or a High end car. Most clients, you end up having to use all the assets they have, but they pitched the idea of re-shooting the furniture with their style guide. They really wanted people to perceive them as high end, so they opened up their own studio on Vietnam, hire
d a team and reshot all of their furniture.




Ensuing projects

- Brita USA site.
- Nestle small-budget projects(facebook apps etc)
- Sears

"I do a lot of pitching to land a business. What critical mass is good at doing, is creating great videos for their pitches to make their ideas come to life. These are the things you have to do these days to win business. Everyone is after the same piece of pie, and this is what you have to do to win business." - Garnett

"You can't look to your job necessarily to fulfill you. I like to things on the side that make me happy. I still always have projects on the go and I have my book of ideas." - Garnett


Other Pursuits

-She designs Identities in her spare time.
-Pro-Bono work is good.
-SuperCapacity - business card - won awards, in her top 5 pieces of all time.
- Biotherm
"Contests are a great way to also have some fun." - Garnett

http://www.canneslions.com/ ($125 entry fee)

- Land of Sparkalot (her tumblr blog)
it's important to take note of things that are taking off on the web (aka tumblr).
- Valigirls blog
- Hello blog (photo blog) - started this blog when she went to China to adopt a child.


"when you put yourself out there you open yourself up to a lot of opportunities." - Garnett

- my lalaland - her portal that links to her other projects

It's just advertising
"we don't save lives, so have fun, and make cool shit."
"when you have kids you realize if you have an hour of free time you have to use it up, you have to make use of each hour."

- make stickers, cool business cards, mailer....to get them to keep your information. moodcard: mood.com.
- open house- don't be afraid to ask for cards, and email your portfolio, info to them. It doesn't hurt to follow up, because there's nothing to lose.


Contact

Alison LinkedIn
Portfolio mylalaland.com




Friday, January 20, 2012

Sapient Nitro



About Sapient
The Sapient Team thinks of themselves as "idea engineers", blending together their skills in communication, branding and transactional expertise to "spark the relationship between consumers and brands" for their clients.

Clients
- abercrombie & fitch
- vail
- bmo
- chrysler
- jeep
- dodge
- rbc
- harley davidson
- sportchek

Lecture Notes

-Kim: Studio Manager. Matching People with the Right work.
-Gael: Started as an info architect. Her background is digital and interactive. 2 years ago made change from information architecture to experience research.

- Norma: graduate from the program. Since graduation has worked at quite a few agencies and has for a year worked at Sapient. Sapient allows her to grow and utilizes all of her strengths. Senior art director at Sapient.

About Sapient
- really international
- 240 people in their office and still growing

Creative Team
- creative team consists of 25 just on the visual side of things

- a good environment for mentorship because there is a lot of senor staff

- it is a great platform to learn

Work

-"The definition of great is entirely defined by the client you're working for and the problem you're trying to solve for them"
- Norma

"We take on the personalities of our clients instead of expecting our clients to be like us"
- Norma

"Our creative is the expression of a strategy based on an emotional or practical empathy"
-Norma

Jeep:

the task:
create a jeep wrangler microsite for international markets. browser and device compatibility. Language and cultural considerations.

the answer:
take cues from the TV ad, we set the wrangler in different environments, each with its own personality. Created a scrolling site. Site is about an emotional experience, and has little clutter. Powerful imagery, impacting typography. Most of the shots were composited.

Paralaxing: using a depth of field. the images cut into three layers: background, mid ground and foreground, and the layers move at a different speed to give the illusion of depth. The client loved it because they could do this without going into the world of flash. This was done with HTML5.

Chrysler:
The ask:

-taking cues from the TV ad, build an experience that ties together the nostalgia from the past, the feeling of your first car with the luxuries of the present, the grand voyager. showcase the features of the van in terms of how they enrich the character's life.

How tight is a tight time limit: she created that site in 1 night. the initial design happened in the evening, but the rest of it she was able to take a week and a half to finish. uses HTML5 to do the special effects.

Q: what is the life cycle of a microsite like that: 8 months.
Q: why was the timeline so quick: a lot of times a client will hold onto a brief for too long, realize they need to get it out, and brief the creative too late. But as a creative she has realized that her best work originates from a tight timeline.

Abercrombie and Fitch:
It was about working in tandem with Abercrombie and Fitch at their head office. Abercrombie and Fitch: 1) photography 2) print 3) web. It was time to re-prioritize.

The ask:
A&F fit guide and A&F mobile experience.

The answer:
good design is not enough. embed creative team with the client to translate the experience of their stores into digital channels. apply digital intelligence to their creative brand.

-She has never worked with a team so stringent on their brand, especially their brand typography.

- Designed a fit-guy site to show off styles

- designed for their mobile experience, that needs minimal changes.

Vail:

Epic Mix Program - Sapient developed the online experience.

The Ask: engage mountain athletes through Snocial

The Anwer: A facebook app Scavenger hunt that acts as a tutorial for people who are new to the program. "Epic Mix Snowcial Scavenger Hunt"


User centered approach
persona: a customer archetype. Personas are based on primary research (original).

"when you involve your client, they feel a sense of ownership over the project. They have to follow you through the steps, and have buy-in." - Gael

Sapient's strength: "One company that does everything". - Gael

"Our culture is like this. We argue. People challenge me all the time and I welcome that." - Gael

Information Architecture
"In olden times, people would just open up photoshop and make something. But you can build a building without a plan." - Gael

- "being a good IA is so rare. It is rare to have a combination of planning, creative thinking, and skill."

Studio Manager Kim Speaks
Attributes:

- What she is looking at is culture and fit. Attributes are a huge part of hiring.
-What they are looking for is not necessarily tangible. They want to see people that can work within a team, they want people who embrace the attitude of feedback.
- A commitment to ongoing learning, initiative, flexibility, mentoring and being mentored.
- Flexibility: things change drastically. You need to be able to switch gears quickly.

What you can expect from Us:
-Environment for learning
-Big clients
-Variation
- Opportunity for promotion
- Mentorship
- An amazing culture

What we Expect from You

- forward thinking design
-fluency in digital channels
-typography
- presentation skills
- eagerness
- compassion & drive



Contact

Sapient Nitro Contact Form link: http://www.sapient.com/en-us/sapientnitro/contact-us.html













Genco and Jon Cebecioglu, Studio Vitamin C



About Studio Vitamin C



Specialization
-web design
- print design
- Brand I.D.

Client List:
Rev Kitchens and baths, Sacred Craft, Metrix Group

About Genco and Jon Cebecioglue

Genco: After working over 6 years in Toronto’s leading digital design studios, Genco co-founded Studio Vitamin C.
Jon: Jon is a graphic designer who has been working in the design field for 3 years. Jon is the co-founder of Studio Vitamin C.

Lecture Notes

- you should work at a small studio when you start out
- recommended that you work for an agency for at least 1 year
- You should be receptive to criticism, and open to suggestions
- Networking is an important strategy for success

Job types:

A small studio:
- you can get a lot of experience out of a smaller studio
- there isn't much opportunity for "moving up the ladder"
- there is a limited budget at a small studio, limited what you can do for your clients, your wage

An Angency:
- there are a lot of opportunities to get promoted
- you will be taken advantage of in terms of hours, workload, end up sleeping under your desk

Freelance:
- you have a lot of freedom, can set your own schedule, your own wage


Contact

Studio Vitamin C
376 Bathhurst Street
Toronto, ON. M5T 2S6
Genco 416.388.8849
genco@studiovitaminc.com
Jon 416.824.0328
jon@studiovitaminc.com